2024
steel table, 12x12x36”
1/4” mild steel plate, scrap mild steel angle rod, 1/2” rusted steel rod
9 tiles, 5x5x1.25” each
light: cast aluminum and candle
finger meditation spiral: cast aluminum
bubble repeat: cast aluminum
bespoke rock display: cast glass in Bullseye Glass transparent khaki, three rocks from the San Juan river
tray: cast glass in Bullseye Glass Rhubarb shift tint
fur: wood, recycled fur, recycled fabric, thread
bound: knotted twine and thread
pillow: wood, recycled fabric, thread
recycle: plastic wrap, thread
In alter / altar, four modular tiles are selected and placed atop a table to form an assemblage; together they are an ode to the mundane, the unseen, to personal language, and to shared experiences. The composition uses cast glass and aluminum, as well as soft materials (fabric, fur, string, and bubble wrap,) placed either on the steel table or in waiting on a shelf. As there are a variety to choose from, the tiles serve as a cohesive visual poem, echoing one another, as separate pieces connected to a larger world of familiarity. Drawing inspiration from designer Andrea Zittel, the table questions ideas regarding function, purpose, and specificity.
2024
5.5x3x1.25”
cast aluminum
one is a cast manifestation of a frequent shape motif often explored in my drawing practice. These shapes act as a personal abstracted asemic writing, a piece of my visual vocabulary. Here, this shape represents the gender binary, simultaneously male, female, and other.
2024
approx 22x16x36”
MIG welded 16g steel rod, fabric
The SNACKPACK is a wearable sculpture which asks the question: how do we take our home with us? What if all is left is just a shell?
2023
approx 10x7x30”
fused glass, wire, found paracord
Inspired by the hanging mobiles often hung in childrens rooms, this piece is a gentle exploration of light, sound, and shape. The fused glass and wire pieces entangle each other, grasping and balancing in a careful act. Where do we go when we dream?
2025
Inspired by sidewalk cracks, metal hardware, open windows, and the unrelenting practice of noticing, this collection is a physical embodiment of Logan’s experiment with textiles, using a neutral palette formed from scraps and junk pieces. This collection emulates the percieved world through nonsensical organic forms as an ode to intuition, shape, and world building.
Photography credit: Gray Warrior